The book spans the years 1898-1934, the bulk of McCay's career. The artwork in this book includes outstanding examples from several categories of McCay's illustrations from his first paper, the Cincinnati Enquirer anti-war and anti-materialist cartoons playful strips for Life magazine early dream sequences futuristic illustrations for the New York Herald and allegorical and editorial cartoons for the Hearst newspapers. The highlights of the book are McCay's Dream of the Rarebit Fiend strips created for the New York Evening Telegram in 1905, as well as early efforts like A Pilgrim's Progress, Poor Jake, Day Dreams, Rabid Reveries, Little Sammy Sneeze ("He never knew when it was coming!") and more. McCay's dream-inspired strips, illustrations and cartoons feature rarebit-induced nightmares, playful "what-ifs," moralistic panoramas, pictorial allegories and other fantastic visions. He had a fascination with dreams that extended beyond his newspaper strip Little Nemo in Slumberland, and it was a fascination as compelling as that of Freud, Jung and Adler's, as proven in the pages of Daydreams & Nightmares. A fantasist of the first rank, McCay was a key pioneer in the histories of both comics and animation. Daydreams & Nightmares collects the rarest work from Little Nemo In Slumberland creator Winsor McCay's historic career.
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